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Best Book to Film Adaptations 

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It stuck to the text and translated the feelings along with the words. They found actors to embody the characters in a relateable way- and they used visuals to explain things that the book could not make as clear.
It became a pop culture hit and launched careers- that is a testament in its own right!

Raw and stylish, very much like the book.

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17 people agree
1 person disagrees

It's easy to see that this movie was made by people who absolutely treasured the book and its message. Gregory Peck as Atticus Finch may be the best casting choice in the history of film making.

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12 people agree
0 people disagree

One of those rare movie adaptations that completely outshines the book to the point that most of us didn't even know there WAS a book. Instantly quotable, funny, sweet, and with an all-star cast of characters. INCONCEIVABLE.

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11 people agree
2 people disagree

These books are amazing, but so are the films. Great action scenes obviously but the films also stay true to plot line without getting too bogged down in minutia.

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5 people agree
0 people disagree

Amazing books, amazing movies.

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5 people agree
1 person disagrees

Anything by Stanley Kubrick. 2001 goes from a mediocre book about machines gaining power over people and turns it into a psychedelic masterpiece of atmosphere and fundamental human questions. The Shining - same thing. Full Metal Jacket - same thing. Eyes Wide Shut - wait.... Kubrick just knocks it out of the park in the exact same way every time. Damn.

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3 people agree
1 person disagrees

Both emanations of this book are excellently done. I chose the John Wayne one because the Duke is inimitable. In this version it was never better to have John Wayne be himself, because the Duke is the Duke, whereas the Dude is a bit more of a chimera. In both the banter with Lebeef is excellently played off and his friendship with Mattie Ross is sweetly familial. Bridges plays the role in as a del... Moreightful drunk, proud and stubborn. Each have their merits. The acting is definitely better from the modern version. Brolin has added charm, but Dennis Hopper as the ringleader in the former version counterposes nicely. In all, they are close interpretations - even though the Coens 'claim' to have never seen Hathaway's version.

True, the Duke is the Duke, but he could only ever be The Duke. That was his one character. The Dude, however...well, Jeff Bridges can be more than The Dude.

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3 people agree
0 people disagree

While I'm disinclined to put this on here as it's one of Danny Boyle's lesser efforts, and by no means an amazing film, I am quite amazed by how an utterly terrible book was made into a passable film. Essentially, Danny Boyle takes a poorly written fairytale and creates a relatively taut semblance of that fairytale on film.

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4 people agree
2 people disagree

I haven't read this book, but there's no way it could be better than Danny Boyle's sugar rush of a heroin diary. The pure inventiveness of every scene takes the original's rough, funny story and turns it into a kaleidoscopic adventure that manages to wring all the fun and hijinks out of heroin without ever quite making it seem appealing.

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3 people agree
1 person disagrees

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2 people agree
1 person disagrees

I actually enjoyed the book 1000x more, however, this list isn't complete without Kubrick's disturbing masterpiece.

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4 people agree
2 people disagree

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3 people agree
1 person disagrees

The Wachowski's take the panels of Alan Moore's anarchist epic to it's kinetic limits, delivering a knockout adaptation of the classic Graphic Novel. Much like their Matrix trilogy, 'V for Vendetta' evidences their mastery of intelligent, if callow, action extravaganzas made for a wide audience. And all over the world fans have been chanting, 'Remember, remember the 5th of November,' ever since.

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3 people agree
1 person disagrees

Jaws takes out all the BS from the book and turns it into a high octane, adventure flick with great characters and amazing scares/humor.

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2 people agree
0 people disagree

While Marjane Satrapi has always been a phenomenal storyteller, it's obvious she learned a great deal between publishing "Persoplis," and rendering it as animation. Both the film and the graphic novel relate the same memoir of a girl growing up in Iran during it's Islamic revolution- a war with Iraq- and the subsequent collapse back to religious conservativism. While the graphic novel is... More wonderful example of Bildungsroman, reading Satrapi's later work - "Chicken with Plums" and "Embroideries," - it is obvious Satrapi has honed her craft, telling her tales with greater depth and incisive economy. After these other forays in the form, Satrapi returns to "Persepolis" as a director, retelling the old story with sharper humor and a renewed visual inventiveness that out-performs the original.

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2 people agree
1 person disagrees

The classic interpretation of Carl Sagan's book. This is an excellently acted movie with great twists and turns.

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2 people agree
1 person disagrees

'The Last of the Mohicans,' Michael Mann's paean to the manliest of masculine writers, James Fenimore Cooper, doles out equal parts violence and romance in this macho ode to the dying Mohican race. Nathaniel Poe aka Hawkeye (Daniel Day Lewis), a white man adopted by the Mohican tribe, is on a quest to save his love, a British officer's daughter, Cora Munro (Madeline Stowe). Through the wilderness,... More through the enfilades of the French and Indian war, Hawkeye bares his heart (and his chest) and proves his love. Machismo ensues. Testosterone soaked machismo.

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2 people agree
1 person disagrees

In our era, in our world, dinosaurs roamed. Our seats were quietly plucked from the theater and placed gently into wild orange, green, and yellow Range Rovers. We rode passenger behind Attenborough and Goldblum. Passive observers on safari through dinoland. And who better to resurrect those primordial beasts than Spielberg? No other director (besides, perhaps, Cameron) could have rendered the dino... Moresaurs with such enthusiasm for film technology, but with the restraint it took to fully immerse the viewer in the beauty and awe of those beasts. Ferociously real and entirely majestic. So real they could crush your proverbial Range Rover and break your eardrums with a roar. You jumped, you sweat, you whimpered, and that's what made it a great adaptation.

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3 people agree
2 people disagree

Cormac McCarthy's favorite device is to create characters who are not so much characters, but forces of nature. Unrelenting vectors of violence. Unappeasable by any human standard. Monsters. Fate-mongers. Anton Chigur (Javier Bardem) is one such force. An ungodly flipper of coins who gambles with other people's lives. As with many Coen Bros films, nihilism abounds, but there chameleon genre hoppin... Moreg replaces good humor, gangsters, stoner P.I., and quirky surrealism with an abominable, unrelenting tension. They don't simply do all genres, they master them, and No Country crowned them Masters of Suspense, at least for the year.

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1 person agrees
1 person disagrees

Walter Hill took an average gangland odyssey and turned it into a Technicolor dreamworld, as brutally real as late 70's NYC really was, and yet so much more surreal and colorful. Great action, themed gangs... fun.

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1 person agrees
1 person disagrees

Better known as "Heart of Darkness". Epic.

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1 person agrees
1 person disagrees

'Adaptation' is both a meditation on the process of adapting a book to film and the process of evolution. The character in the film is adapting 'The Orchid Thief' into a screenplay, and as he writes the plot of the screenplay unfolds. In harried voice-over's we follow the screen writer, Charlie Kaufman, through the process of adapting the book as his neuroses get the better of him - in turn, the p... Morelot of the movie adapts to his worries about destroying Susan Orlean's beautiful story. Maintaining a poetic holism, 'Adaptation' keeps true to the central metaphor and engages it on all levels. It's an unorthodox adaptation, but Kaufman still manages to splice Susan Orleans sprawling New Yorker prose and characters into the plot and craft a wild smash up of an emotional ending.

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1 person agrees
1 person disagrees

I'd say this one (almost) ties its source material. I usually cringe at voiceover, but the Joanne Woodward's voiceover captures the past/present time-split of the novel. DDL to boot!

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0 people agree
1 person disagrees

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